So, another compilation. Twice in this 10 day span I’ve done that, but again, this is how I was introduced to a very important musical figure in my life. My friend, Craig Pickel (yep) introduced me to Neil on many rides in her (yep) little Honda CRX. Decade on the tape deck, wings or chips and salsa from Jaggers in our bellies, and Life as the conversation topic.
Neil changed the way I played guitar. By the time I started listening to him, I guess I’d been playing for 3 years or so. So many of the people I listened to had lots of effects and weird chords and were technically much more advanced than I was. When I got Neil Young Complete Music Volume 2 I saw chords that I knew and could play with no problem. There were a bunch of songs I hadn’t heard yet in that book so I bought the Decade songbook and just went to town. Both acoustic and electric, Neil pretty much kept things pretty simple. Even the finger picking he did on “Sugar Mountain” and “The Needle and the Damage Done” were straight ahead enough that I could figure it out. I never learned to read music, but I remember sitting down and figuring out the guitar part of “Ohio” from CSNY. I had a little music reading knowledge and took what I had and wrote down the notes to learn it.
I played A LOT of Neil Young on guitar. I was up in Athens finishing school and like a lot of guys up there, I had thoughts, dreams, fantasies about playing guitar in Athens and then…the world. Well, everybody’s got to start somewhere and I tried to play out at a few places, pizza places, open mics, coffee houses. I’d play some Neil, some R.E.M., a Beatles song or two then inevitably somebody would call out, “Play ‘Margaritaville’.” I’d say I didn’t know it. “Well play ‘Brown Eyed Girl’ then.” I’d say I didn’t know that one either. “What do you know, then?” I know a lot of Neil Young. So, I didn’t play too many of those places. Also, I did know those songs, but that’s not what I was into, so I didn’t play them.
As time went on I delved into Neil’s catalog and starting getting more of his releases. Neil Young & the Blue Notes, This Note’s For You was one of the first records I bought when I started buying albums again. I thought it was pretty cool, I dug the horns (still do!) I had kept up with his struggles with Geffen Records and knew that he had gotten back on Reprise Records.
One of my favorite cassettes that I have of his is Comes a Time. It’s funny because I don’t think there are any of those songs on Decade. I’ll end this with one of my favorite lines from one of Neil’s Buffalo Springfield songs, “Mr Soul”, “She said you’re strange, but don’t change and I let her.”
What it could have been
As much as I loved Neil Young, I would have totally been Duane Allman. Holy cow! I’ve put this down before, but if The Allman Brothers Band never made another album after their first one, they still would be regarded as pivotal musicmakers. The interplay between Duane and Dickey, the drumming of Butch and Jaimoe, the thumping bass of Barry, and Greg on the Hammond, well, there you go. This album, cassette, CD spent a lot of time on my different players during my hippie wanna be period, as did some other jam bands, but The Allmans are the ones that have kept their flavor the longest for me.